The Glass VillageBy: Queen, Ellery (pseudonym of Frederic Dannay and Manfred B. Lee) (male)
Publisher: Pocket Books, Inc. (1082)
Place of Publication: New York, NY
Catalog #: Kelley Box 356: PS3533 .U4 G55 1955
Contributor: K. Quinlivan
GeneralEra: 1950s Author as on Cover: Ellery Queen Geographic Locale: Shinn Corners (fictional New England town) - population 36 Date of Publication: 1955 | Original Date: 1954 Setting: rural; small village containing dilapidated houses, farms and mills Motives: greed
On the surface, the tiny village of Shinn Corners is merely a deteriorating New England backwater whose biggest excitement is the annual Fourth of July celebration. Its seemingly placid exterior is violently disrupted the day elderly artist Aunt Fanny Adams, the town's most beloved citizen, is beaten to death with a poker. A foreign-looking vagabond spotted leaving Aunt Fanny's residence quickly becomes the prime suspect in the minds of the local villagers, and they form a posse to hunt him down. Eager for immediate vengeance, they forego the usual legal farmalities and take matters into their own hands. In an attempt to deter his fellow citizens from carrying out their version of lynch mob justice, elderly Judge Shinn opens a trial. He deliberately fills the trial with legal blunders and miscues, hoping that it will appease the mob's thirst for vengeance but eventually be overturned by an appeals court. The lone voice of reason on the jury is the judge's visiting cousin, Johnny Shinn, whose unwavering pursuit of the truth ultimately exposes the actual murderer.
Lewis Shinn adult male, elderly, cantankerous, intelligent, Superior Court judge
Johnny Shinn adult male, 31 years old, former Army intelligence officer and Korean War veteran
Aunt Fanny Adams adult female, elderly, 91 years old, kindly wrinkled face, good-natured, celebrated wealthy artist and town benefactor
Josef Kowalczyk adult male, 42 years old, blondish-gray hair, Polish immigrant, itinerant farm worker
Calvin Waters "Laughing" Waters, adult male, tall, thin, stone-faced, town custodian
Peter Berry adult male, middle-aged, large, fat jowly face, blue eyes, storekeeper and car mechanic
Emily Berry adult female, thin, dowdy, storekeeper's wife
Burney Hackett adult male, widower, town constable, fire chief, town clerk, tax collector and insurance salesman
Prue Plummer adult female, middle-aged, thin, gray hair, liverish complexion, artsy, antique dealer
Orville Pangman adult male, large, beefy farmer
Hube Hemus adult male, skinny, gaunt face, alert, watchful, farmer and First Selectman of the village
Rebecca Hemus adult female, "great cow of a woman," housewife
Merton Isbel "Mert," adult male, large build, stubborn, farmer and widower
Hosey Lemmon adult male, older, beard, ex-farmer turned hermit
Ferriss Adams adult male, middle-aged, brown hair, blotchy face, dapper, lawyer
Samuel Sheare adult male, lean, elderly, minister
Elizabeth Sheare adult female, stout, anxious, minister's wife
Andy Webster adult male, elderly, retired, former judge
Level of Violence
the murder scene is described briefly and without relish. The murder suspect is violently beaten by the villagers who gloat over his weakened physical condition. Guns are fired when the state police attempt to move the suspect out of town, but no one is injured.
there are a few brief references to the physical attractiveness (or lack thereof) of the women in the novel. One female villager ran off with a man from New York, became pregnant and returned to the village; she is viewed as an outcast by her father.
aside from Aunt Fanny Adams, who became an artist at the age of eighty, the women are primarily housewives who cook, clean, and care for assorted children, husbands and invalid relatives. In most cases, they are viewed as strong, intelligent, and capable, well able to manage their affairs and frequently smarter than their male counterparts. As Aunt Fanny states, "It's the mothers make the men." Most of the male characters are farmers, hard-working but lacking in intelligence and compassion.
the villagers routinely fear and mistrust anyone who comes from beyond the borders of their village. Whether they hail from New York or Poland, outsiders are labeled as foreigners. Viewing their fellow citizens with a mixture of scorn and pity, both Johnny and the Judge realize that the villagers are locked into the narrow confines of their isolated world, their bigotry and intolerance developed over the course of many generations. The murder suspect, a Polish immigrant who speaks broken English, is portrayed in a sympathetic light, having survived the horrors of a Nazi labor camp and seen his family slaughtered.
in keeping with their Puritanical ways, the villagers rarely consume any kind of alcohol. Johnny and the Judge occasionally have a drink, and Johnny smokes a few cigarettes at times to relax his jagged nerves.
in this tiny village, the local town constable dictates the interpretation of the law and adapts it to suit himself. The locals view the sheriff and the state police with suspicion, and are quite willing to interpret the law as they see fit. The Judge is a firm believer in defending the rights of the accused as guaranteed by the Constitution, and he frequently cites examples from American history as a means of explaining his actions.
geographical isolation contributes to social, political and spiritual narrow-mindedness. The town's best days ended during the last century and the little prosperity that once existed has ceased altogether. The few remaining farmers and villagers barely manage to eke out a living, but they do retain a strong sense of pride in their New England roots and Puritan code of ethics. For generations, the villagers have all belonged to the same fundamentalist church and the same political party (Republican), suspicious of anyone who holds different religious or political views. Back-country spirit and Yankee pride dictate that no crime goes unpunished and justice must prevail, even if it means taking the law into one's own hands. Poverty, lack of education, and difficult economic conditions lead to fear, mistrust, and a sense of hopelessness. The novel effectively evokes the paranoia of the McCarthy era while making a strong plea for upholding the rights of the individual as guaranteed by the Constitution.
New England/ Veterans/ Murder/ Trials/ Revenge/ Justice
Johnny, a veteran of World War II and the Korean War, is haunted by nightmares of the torturous conditions he endured during those conflicts. He has been through hell, seen the aftermath of violence, and is without hope. He is disillusioned by the narrow-minded cruelty of his fellow jurors and by the fact that despite the suffering endured during the wars, nothing ever really changes.